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The cheap thief…

Muriel2017

photo by Chandra

My credit card number was used by someone in New York while I was at home in Vancouver. I was nowhere near New York. Upon opening my statement last night, I immediately ran to my desk and called the credit card company to report the illegal transactions.

 

I was asked all kinds of questions and asked a few of my own. thecardNo, I hadn’t lent my card out to anyone. Yes, I had it safely tucked away in my drawer — I even checked to reassure myself. I wondered how it could happen. They know more ways than you can imagine.

villian

The amount in question was all of $107.48. It may not seem like much to you, but I still feel icky and and as if I’ve been violated. I don’t like someone doing this to ME. How dare they! Now I have to wait for a new card and set it all up again which is a darn inconvenience.

 

I was told $100 was spent at a gas station and my statement clearly indicated the $7.48 was charged at a Taco Bell. Taco Bell??? Could I not get a thief with more class? A Bon Vivant? A real sophisticate? Someone like Cary Grant in ‘To Catch a Thief’?? It’s really humiliating and a real embarrassment.

 

to catch a thief

Cary Grant and Grace Kelly

SardisCould he (or she) not have chosen a better place to eat? Like maybe Sardis? My Chandra, a woman with real dignity and taste, treated me to dinner at Sardis when we were in New York together. That would have been better.

 

What a cheapskate! The nerve! The absolute nerve! Besides, how dare he eat at Taco Bell, one of my favorite Mexican fast-food joints, and not invite me to share! I’m furious.

Tacosphoto

I love Mexican food

angry

 

 

I’m really angry….grrrrrrrr!

 

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One door opens, another closes…

Muriel2017

photo by my Chandra

It was high time to give up driving. My vision had changed and my little old car was tired. Do I miss it? Yes. But only for grocery shopping. Traveling by bus is not only a new adventure, but an opportunity to see more — and chat with strangers. People are fascinating. I’m new at using buses, and don’t know anything about where they go or their schedules.

My friend Hans, who lived in L.A.’s Hollywood Hills, used to tease me about plans to visit ‘the village’, which is what he called this beautiful city. He was delighted by the unpaved sidewalk and  remaining unpaved alleyways here and there in my neighborhood.

I believed him. This IS a small town compared to L.A. which is so very large. Using buses for transportation, I was allowing an hour to walk the few blocks to the stop and to get wherever I wanted to go. It worked until now. I’ve just learned the town is bigger than I thought. An hour wasn’t enough to get to where I was to have an ultrasound taken of my shoulder this week.

Yup, it was the first time I’d bused that far. I’d driven that route many times by car, but you get to see so much more out the bus window than you can driving. Driving requires attention to traffic, lights, pedestrians and what’s happening behind you. On the bus, all that is taken car of for you. Hurrah!

Donna suggested I take the ‘Express’ but I didn’t know where it stopped. A REAL person would have asked but I didn’t so I was five minutes late for my appointment. No one else seemed upset by that but me. (Well, did I ever promise you sanity?)

Ultrasound-Machine

Storm clouds? Stormy sea?

The ultrasound experience was new too. I had once had one, but this time I could actually see the screen. At first it looked like storm clouds gathering and whirling about in preparation for a huge storm — in my shoulder. Later I saw it differently. It looked more like ocean waves in a stormy sea. The technician listened to my nonsense with  amusement, then ventured to say nobody had ever seen the ultrasound in that way before. Probably true….

GoodoutsideRio

The Rio Theatre built in 1938

Afterwards, on leaving the building, I looked across the street. Wow! I was right in front of the awesome old Rio Theatre, now so much in our local news. I’d never seen this beautiful Art Deco venue before. No wonder local residents don’t want the Rio, built in 1938, torn down to be replaced by yet more condos — which most of us can’t afford anyway.

LobbyRio

Rio Theatre lobby

The other day, I read the Rio was voted our city’s #1 ‘Multimedia’ venue. (It features film and live performances.) What is wrong with us? How can we allow irreplaceable jewels like this gorgeous structure obliterated? The likes of the Rio will never be constructed again. It will be lost to us forever. Kudos to the present operator, Corinne Lea, who is trying to raise the money to purchase the building and save it. She’s just started a crowd-funding push. I wish her success.

Ridge Theatre 1950-

Ridge Theatre, 1950- 2013

My own neighborhood has lost an old theatre too, the Ridge (1950-2013). It was not as gorgeous as the Rio, but nonetheless much loved. The ground floor is now a Loblaws Market (infamous for its participation in a massive bread price-fixing scheme for years which cheated food shoppers) with yet more condos above. The old ‘Ridge’ neon sign sits on top of the building — a constant reminder of what we’ve lost forever.

 

Beware, take care, strange things are happening….

Muriel2017

photo by Chandra Joy

We live in a rain forest. We’re used to rain. We have umbrellas and rain jackets and are okay with getting wet. What seems different is the amount of fog we’ve been experiencing. When I see it through my window, I recall with nostalgia the horror films I enjoyed as a kid. Those films usually had fog in them so creatures could emerge from the dark woods or the ‘deep lagoon’.

belalugosi

I remember Bela Lugosi as a vampire

The films I liked best were in black and white and most often featured that fog — I think they played them on TV. Some of the actors I saw were Bela Lugosi, Peter Lorre, Boris Karloff, and who could forget ‘Alfred Hitchcock Presents’ on TV (1955-1965) or his oh-so-famous ‘Psycho’? (1960)

Peter Lorre #2

Peter Lorre

Creepy Peter Lorre’s whining, groveling voice alone could make my blood curdle. He often played assistant to a mad scientist — there were so many mad scientists in those plots. I believe I saw him eating spiders in a film once. (Is that true or did my head make it up?)

Old Horror films could be a little scary, but not as terrifying as the ones they make today. You could always back off if you felt too uneasy, (and I did) and say to yourself: ‘This isn’t real. It can’t be

Mummy#2

Mummy in tattered bandages

real.’ After all, no self-respecting mummy would appear in those hanging tattered bandages. What kind of mummy fashion statement would that make?

Now horror films are not as much fun for the likes of chickens like me. They’re way too realistic and gory, and too scary to be fun.

Bela Lugosi appeared in ‘Frankenstein Meets the Wolf Man’, ‘Ghosts on the Loose’ and ‘Return of the Vampire’ all made in 1943; ‘Arsenic and Old Lace’ and ‘One Body Too Many’ followed in 1944. They surely cranked them out quickly. Lugosi starred in many other films until he became addicted to Morphine and became unreliable. (Morphine made me sick when I had surgery in 2017 — perhaps a lucky thing.)

boriskarloff as Frankenstein

Boris Karloff as Frankenstein

‘The Haunted Strangler’ (1958) starred Boris Karloff. In it a dead strangler possesses a researcher. Karloff scared me again in ‘Corridors of Blood’ that year, in which a doctor becomes addicted to anesthetic. The title I so like ‘The Creature from the Black Lagoon’ (1954) is once again about scientists, who try to capture the beast for study.

Elegant-vincent-price

Always elegant Vincent Price

The oh-so-distinguished Vincent Price, a favorite, could make me cringe just by introducing a show. Price starred in ‘The Fly’ (1958). Again, another unfortunate scientist has an accident with a teleportation device — whatever that is. (Scientists sure got into a lot of trouble.) Price then appeared in ‘The Return of the Fly’ (1959) probably because kids like me loved ‘The Fly’ to begin with. He was a real talent and appeared in ‘The House of Wax’, ‘Tales of Terror’ along with Peter Lorre, and ‘The House on Haunted Hill’, ‘The House of Usher’ and many more.

We were innocent and easily taken in. They created zombies, ghosts, vampires, mummies, and creatures of all kinds who most often appeared through fog, the same kind of fog we’re having right now. What fun. I love it.

CINEMA-FILES-BIO-HITCHCOCK-BIRDS

Alfred Hitchcock (1899-1980) during the shooting of his movie ‘The Birds’.

This is NOT where you will find January 20th’s post. Please go right above this and see ‘home Beware. Take care. Strange things are happening…. or go to: Viewfromoverthehill.wordpress.com On the home page, above ‘Wonderful people from other countries who visit here’ you will see ‘home Beware. Take care. Strange things are happening….’ Click on it. I have no idea what is going on with WordPress today.

If you notice me singing, do join in…

mom-thinking-2I often walk to my favorite cafe in the morning. Since my right knee complains with every step, I sing as I walk. My brain isn’t capable of multi tasking, so trying to remember the words of old songs seems to lessen the pain. It works to some degree. When someone comes by, I lower my voice so I won’t be heard. Yet, what fun it would be if strangers joined me in song just like they did in the old musicals I so enjoyed when I was a kid. Ta-da….

judy-garland-fred-astaire-in-easter-parade

Judy Garland and Fred Astaire in Easter Parade

Even then I remember feeling a little silly as I watched some of those movies. The goings on onscreen could be unrealistic. For example, all the passersby knew the words of the songs and the dance steps and so were able to join Judy Garland and Fred Astaire in the ‘Easter Parade’ — dressed in their Easter best. Young as I was, I knew that didn’t really happen.

Yes, there were a few mindless plots weakly held together to

singing-in-the-rain-gene-kelly

Gene Kelly in Dancin’ in the Rain

showcase the talent of the stars in them, and Gene Kelly did dance in the rain on the sidewalks of New York in ‘Dancin’ in the Rain’, but you can’t deny he was entertaining.

Were musicals all silly, mindless fluff? I think not. Many important issues were covered in Broadway musicals — issues which society would not have been ready to confront in any other format at the time. Just as comedy was, and continues to be, used to help us deal with the serious and even unbearable, musicals often sugarcoated difficult themes. Without realizing it, audiences were encouraged to look at and hopefully rethink their ideas and attitudes.

thomas-carey-carol-brice-porgy

Thomas Carey and Carol Brice in Porgy & Bess, 1934

Gershwin and Heyward’s ‘Porgy & Bess’ is often regarded as the first great American opera. The music is brilliant but at the same time, the story makes a strong statement on the difficult position of blacks in America — as valid today as when it first came out in 1934, years before Martin Luther King came along.

Even earlier, in 1927, Kern and Hammerstein touched on black and

paul-robeson-1936-old-man-river-showboat

The great Paul Robeson, Showboat, 1936

white issues in another timeless musical classic ‘Showboat’. (In my opinion those who protested against the show in Toronto some years ago, could not have seen it.)

Then, Rodgers and Hammerstein’s ‘South Pacific’, which came out in 1949, tackled racial discrimination head-on. A real inter-racial love affair takes place on the stage/screen. It was a daring move which clearly defined the needless tragedy that results from racist thinking in Lieutenant

mary-martin-and-ezio-pinza-in-sp

Mary Martin & Ezio Pinza in South Pacific

Cable’s romance with a Polynesian girl, Liat. The American Nellie, portrayed so well by Mary Martin, is shocked when she discovers Emile, a Frenchman, has children who are half-Polynesian. In the end, Nellie chooses to deal with her own prejudices and marries the man she loves. (By the way, Mary Martin, who washed her hair in each performance, claimed all that hair-washing did no harm.)

‘Hair’ about the hippy movement, free love and the drug culture, raised many an eyebrow with its passive nudity in 1968. I remember being shocked myself when I first saw it. Those scenes seem mild to us today. Modern audiences probably don’t understand what the fuss was all about.

I’m reminded of these productions when I find myself singing some of the old show tunes while I walk in the morning. If you catch me at it, do join in.

 

A Conversation with Cary Grant

My recent post about Jean Stapleton moved several readers to ask about what happened with Cary Grant. This second June posting is especially for them: Brian in the U.S., (Happy Belated Birthday, Brian); Tony and Barbara in Australia, and Eldon in Canada. They want to know about it.

At the time Coronet assigned me to write about whom the stars admire, I picked some I knew through my work in public relations, while others were contacted through people I knew in the business. However, Cary Grant was my favorite actor. I had seen him in “North by Northwest” and still love train travel as a result to this day. I very much wanted to include him, even though he had recently retired. A colleague was able to get his home address for me and I promptly wrote Cary Grant a letter.

Cary Grant in North by Northwest

Cary Grant in North by Northwest

Cary Grant and Eva Marie Saint in North by Northwest

Cary Grant and Eva Marie Saint in North by Northwest

In those pre-computer days, we typed each letter separately, which was no big deal. I typed well. After deciding how to word my request, the letters to other stars flew quickly out of my electric typewriter, except the one to Cary Grant. That letter was typed slowly, painfully, each word considered and reconsidered and placed carefully on the page. This wasn’t just anyone. This was Cary Grant! In the end, it turned out to be the very same letter I sent to everyone else, but no other letter was checked more times for errors, or reread again and again and yet again. And, I never expected a reply.

A week or so later, I answered the phone to hear a clipped, British-accented, male voice asking for Muriel Kauffmann please.

“Speaking,” I answered.

“Hello, this is Cary Grant.”

Cary Grant! I could be blase about other stars, they’re just people after all, but not Cary Grant! It was really him, himself, uh, I was talking to him — for real — CARY GRANT on the telephone. And, he was talking to me too!

Was I able to behave like a real  person? Did I play it like a professional? Did I faint, get flustered, stutter or say something embarrassingly stupid? Of course not! I’m a trooper. I managed to carry on the conversation as if I talked with the likes of Cary Grant every day. We discussed the article I’d been asked to write, he was willing to participate, we chatted amicably about his input. He said he would write something, mail it to me, and I managed to graciously thank him. Well, maybe I thanked him twice and too graciously, but surely you’ll forgive me for that.

It was an open and interesting conversation in which he talked about how, when he was making movies, they had so much more time to complete them, and how he felt the current actors were under so much more pressure than he had been under. When the fabulous, surprisingly long conversation was over, I hung up just like ordinary people do when they have ordinary everyday conversations on the telephone. Then it hit me. That was Cary Grant!! I could no longer keep up the pretense of normalcy.

“Do you know who that was???” I cried out to my CPA husband, sitting at his desk right across from mine in our office. I couldn’t stay in my seat. I  jumped up so fast, my secretarial chair went flying out from under me.

“Who?” he asked casually, as he continued working away at his figures.

“That,” I said slowly and clearly, each word calling out for special attention, “was Cary Grant!”

Hubby peered at me over his metal-framed glasses, a blank expression on his face.

“Who’s he?” he asked.

Grant married five times, but perhaps his closest relationship was with Randolph Scott, shown with him here

Grant married five times, but perhaps his closest relationship was with Randolph Scott, shown with him here

“Who’s he? WHO’S HE??? What do you mean “who’s he?” How can you ask that?”

Imagine! He didn’t know anything about Cary Grant! Somehow the excitement of the moment was diminished and I felt angry at him for not being able to share my enthusiasm.

“He’s only one of the most famous and GORGEOUS movie stars in the whole, wide world!!!”

I purposely emphasized the word “gorgeous” to punish him, although it really wasn’t his fault. He grew up in France and his favorite American star was Broderick Crawford, whose violent films, for some reason, were popular on French television. Unfortunately, he chose that very moment to tell me so.

Broderick Crawford, a favorite in France

Broderick Crawford, a favorite in France

“Broderick Crawford? BRODERICK CRAWFORD??? How can you even mention his name in the same breath as Cary Grant?” I stammered.

So it was that my conversation with Cary Grant went uncelebrated in our household, but I enthusiastically shared my triumph with writer/friends, and I remember it well. Besides, the famous star gave much thought to what he had to say for my article, and Coronet was so pleased, they gave me another paying assignment the very next month.

Do write to let me know about your own brushes with fame. Meanwhile, here is the very reflective piece Grant wrote and mailed to me.

“You ask me who the stars admire. Well, as a former, so-called ‘star’ I admired, and still admire, countless people; but if, as your question seems to indicate, you inquire which actors, past or present, have earned my admiration, then there are many.

However, I have respect for any and all actors and actresses. It takes courage to expose oneself to examination of face, figure, deportment and manner of speech whether in a theatre seating anywhere from three hundred to one thousand people or, as amplified in films, in theatres all over the world where millions of people, in aggregate, make the actor the focal point of attention.  An actor must risk the dislike or disdain, criticism or indifference, of each member of the audience. Of the actors in the past who had the courage to ‘come on straight’, portraying themselves as nearly as possible (which is the most difficult of all acting from my point of view) my especial admiration goes to Spencer Tracy, Lee Tracy, and Humphrey Bogart. Each of those actors played their natural selves within the framework of the plot; whether in drama or casual, though always modern roles.

One of the actors I’ve most enjoyed is Mickey Rooney, who seems quite uncaring about exposing his own feelings and failings whether in drama or comedy. There’s another actor whom I greatly admire — Sir Lawrence Olivier. Unlike those others I’ve mentioned, he arranges to submerge his own warm and distinguished personality behind fascinatingly true, and incredibly effective, character studies. He is a completely different, yet equally compelling actor.

For most of today’s crop of young actors, I have unbounded admiration. Al Pacino, Jack Nicholson, Dustin Hoffman, and the many others who assay roles without inhibitions and are able to expose their inner selves to the utmost.

While on the subject of actors I admire, I must include the name of one of the funniest comedians I’ve every seen. Tim Conway, who appears here in Los Angeles, on Saturdays, on the Carol Burnett television show. He runs the gauntlet of comedy roles. Old men, young men, garrulous men and silent men. He combines the pantomimic qualities of Buster Keaton, Harpo Marx, Bobby Clark, and both Laurel and Hardy. Conway is a remarkably agile and athletic man and, I suspect that he, like myself, was, in the past, a theatrical acrobat. Perhaps that is why he, so particularly, appeals to me.

Your question, who do I admire, could, of course, be answered to include countless people, living and dead. Jesus, da Vinci, Browning, Shakespeare.

You’ll note that I haven’t yet even mentioned any women and, believe me, I’ve admired, indeed loved many. But then, are you writing an article or a lengthy book?”